Friday, June 30, 2006

The cover of the below mentioned score. Click for a much larger image. Note the many different fonts, the intricacy of the border (oak leaves) and the outline of the printing machine (best seen in top left corner).
And here is the last page of the music. Again, click for a much larger image. There are several interesting things; the shaping of the bass clef (upside-down compared to now), asterisks and coda circles which I assume, perahaps incorrectly, to be pedal markings (anyone know?), the very unimaginative cadenza, the oboe solo, the lack of bar numbers or any similar markings, the wavy octave line that is now days replaced by a dotted line or single thick line, and the general precision of the note printing method they must have had, despite mass production.

Humiliated by Beethoven

If I had to be completely outplayed and humiliated by someone in a musical confrontation, I'd probably choose someone of the likes of Beethoven as to make sure there could be no shame in the matter. Enter one Daniel Steibelt.

Our friend Daniel was born in the grand old year of 1765, a Prussian of sorts. His life as a composer was generally quite mediocre, he wrote an alright version of Romeo and Juliet and was considered a pretty good pianist. But perhaps the pinnacle of his career, or at least the one moment history will remember him for, was when he was played off the stage by one Ludwig van Beethoven. The story goes something like this;

Steibelt was a bit of a musical pilgrim, for most of his life he didn't hang around anywhere long. In 1800 he decided to trudge over to Vienna to show to the aristocricy his amazing piano skills. Piano improvisation duels were common and popular entertainment in those days, if only it still was. A theme would be given for two, or sometimes more, pianists to first elaborate on and then become more and more virtuosic before one would be declared the winner. Often each pianist was sponsered by different or fueding nobles/rich old men, so much was at stake in the contests. At the time, everyone knew that Beethoven was the improvising master of Vienna, as well as its most loved composer and pianist. For some strange reason, Steibelt decided to take the amatuer on in a duel. Perhaps Grove's assessment of his personality sheds light on this choice, 'extraordinarily vain, arrogant, discourteous, recklessly extaravagant and even dishonest.'

The stage was set at Count von Fries in May 1800. As the challenger, Steibelt played first. The piece would be a theme from a new cello work he had just written. Steibelt had made a small name for himself as a pianist able to create a 'storm' effect by extensive tremelo usage in the lower octaves - in the first round of the battle, he impressed the crowd with this effect. The crowd loved it and he walked off the stage to a raptous applause. At this point we can only imagine Beethoven sighing as he quietly shuffled to the piano. He could still hear quite well at this point in his life, so it wouldn't have been hard to notice that everyone was cheering for him. He picked up the sheet of music Steibelt had played from, turned it upside down and began improvising on the now mirror imaged notes. Based on just four now slightly random notes, Beethoven stunned the audience with several variations and embellishments. Steibelt was so humiliated and outplayed that he didn't even rise for a second round, but walked out in shame. His greatest achievement in life had just been completed, poor guy. Daniel promised never return to Vienna again, and he didn't. It would be the last time Beethoven was challenged to a duel...strange.

So why am I writing this? Apart from being a bit of a music nerds joke, I myself now have good reason to be interested in the life of Daniel Steibelt. On my 18th birthday in May, 206 years after the duel, I got a small surprise when I opened my single present to find a small score of music. This was the front cover before me (for some reason I can't post the image of the front cover as I had planned - I will try and post it soon);
It is written,
Steibelt's
Celebtrated
Pastorale
In which is introduced
An imitation of a Storm
------
London
Printed & Sold at J&G Balls
Mufic Warehouse, 408, Oxford Street
------
Op. 33 - Price 3 s.
------
where may be had the Concerto with compleat (sic) accompaniments. Price 8s.
***************************
It turns out that this score was printed in, or very close, to 1820. The piece of music is a piano reduction of the Rondo from Stiebelt's Piano Concerto in Eb (no 3.). The movement became very very popular around Europe, especially in England where this was printed around 20 years after the piece was originally composed. It would be like purchising a score of 'Let it be' in 1990 - it wasn't published by the Beatles, but considered so popular that everyone wanted to play it at home (though in 1820, not all that many people had personal piano's).
The score is in amazing condition considering it's 186 years old. There is no part that could not be played from the score - the print work remains precise. For some nerdy reason, I find great beauty in these printed notes. I find it hard to believe that this sort of thing could have been tossed around the practice room, much like my music isn't particulary well looked after. The music itself doesn't seem particularly insightful. Though I haven't heard it, (or ever seen a CD), the work appears to alternate between bland alberti basses, unimaginative octave passages and dull cadenza's. He also seems to give all but one orchestral solo to the oboe. But none of this worries me. The story of Steibelt, the condition of the music and its cultural history are its most valuable assests. Original prints such as this in this condition are rare at the best of times, though you'd be even more hard pressed to find prints of the really famous composers. I feel truly grateful to own this music and will treasure it hopefully beyond its 200th birthday.
It might seem strange that this piece, despite its popularity, managed to fade into oblivion. But if you think about the interesting topic of music history, it's often the most popular pieces that are shown up as the simple frauds that they are over time, while the music that searches for something more meaningful, rather than to please the masses, usually manages to hold its place. That is why most of us have never heard of Stiebelt, but it's a crime to not know of Beethoven. It's the same with music today. In a hundred years, hopefully none of the puerile trash being pumped out by the music industry will be remembered, but shown up as the frauds that they are. But for the moment, we will, to our shame, and like the 1820 Brits, be caught up in the hype of the moment and forget what true music is. At least the music publishers made a lot of money.

Wednesday, June 28, 2006

Comments etc.

I've just enabled comments to be made on my posts, so feel free to say whatever you want about my stuff. Apparently I can moderate and delete your comments if I find them to be 'incorrect'.

Democracy rules!

Tuesday, June 27, 2006

The One Armed Boxer vs. the Flying Guillotine

The Flying Guillotine



The One Armed Boxer
The pictures speak for themselves

There is some compulsory viewing on SBS at 10:55 on Thursday night. I saw it a couple of years back, taped it, then lost the tape. Here's the general plot;

This guy with a flying guillotine wants to kill a karate master with one arm.

That's about it. In between are karate tournaments...and more gratiutious karate fight sequences. The music is simply spectacular - the composer becomes obsessed with these low yelling voices that sound like growls, and lightning-like speels of metallic noise.

This is a movie not to be missed under any circumstances.

Monday, June 26, 2006

Old Books

Old books are awesome in pretty much every way. It's not the text that is the most intriguing part of the old book package, (although the text is often interesting), but the way in which a heap of material has aged over long periods of time. You can trace the history of a book, its owners, where it has been sitting, where it was made and how it came to be with you. Call me a nerd (which I am), but old books are some of my most valuable possessions, even though most did not cost much at all. I want to post here some of my small collection.

My favourite, and oldest book is 'School Geography' by James Cornwell, Fortieth Edition. It was published in London at Simpkin, Marshall, and Co., Stationers' Court; Hamilton, Adams and Co., Paternoster Row in the year 1867. It was printed by J. & W. Rider whose factory was on 14 Bartholomew Close, London. This small textbook for 'beginners', with a thickly embossed cover and a now faded globe symbol on the front, made its (very long) way from London to Launceston TAS. On the first page is stamped 'Walch Bro & Birchall - Booksellers and Stationers, Launceston', and there are 360 pages in total. It was then bought, or given to R. McKenzie on the 22nd of May 1868 for 4 shillings and 6 pence (quite a lot for Launceston in this time). I get the impression that this young lad or lass is younger rather than older, and enjoys writing his name in cursive throughout the book (bored in school?). From here, the book probably sat and did nothing after they left school since it is in such good condition. I came across it for $12 at the Hobart Post Office junk store. In the front cover is written 'God save the ancient manners from the fiends that plague the skies', and in the back, 'Jealousy is the green eyed monster which doth (munch the meat (?)) it feeds on'. This is what I love about old books. Here we have the scribblings of a 140 year old school kid probably bored in school, probably proud of their writing ability - How else can you delve so easily into 1860's life? Just incredible.

Considering its age, the book is in very good condition. The binding remains solid and there are no tears. While the text itself is not usually my main concern, the text in this book is probably its greatest interest. We have a geography book from a time before three quarters of the modern worlds states were formed and when a third of the world was unvisited by European explorers. You are transported into a whole different mindset. Here are some examples;

On the planet list, Uranus is called 'Herschel', Pluto hasn't been discovered and Jupiter has four moons. Here's a description of 'continents' ;
"The Old Continent, called also the old world, consists of Europe Asia and Africa, which are also themselves sometimes termed Continents: the New Continent, called also the New World, from its recent discovery by Europeans, consists of North and South America, each of which is also sometimes styled a Continent". The New world was 'recently discovered' then.

There is an interesting note about European politics, "England, France, Russia, Austria and Prussia, are called the five great powers, and if they can agree among themselves the peace of Europe is secured". It's politics that forms the basis for perhaps the most interesting part of the book - the authors complete English bias and supreme hate of France, which his country had defeated over the previous fifty years. There is no stopping a pom who at the time actually had a good country to brag about. Here he goes;

*He feels the need to break into song (in a Geography textbook) to describe the Thames, for which it "would be difficult to point out a spot in which art and wealth have been applied with such effect to improve a naturally beautiful neighbourhood." He sings "Oh! could I flow like thee, and make thy stream My great example as it is my theme".
* Domestic Animals are "very superior", the Manufactures "more numerous and important than those of any other country", Commerce is the "Most extensive and very rapidly increasing...far greater than that of any other country, either ancient or modern", Internal Communications "Superior to that of any other country", Navy "greatly superior to that of any other country" - and these are all true (though it is a wonder how they got to where they are now considering their head start).
* But Cornwell left his best to the very important section titled 'Miscellaneous Observations'. "Owing to the entire separation of England from other countries, its inhabitants are characterized by strong national features. They are brave, enterprising, and industrious, and remarkably attached to liberty and home, but reserved and proud to strangers." In even smaller writing is written "It is incomparably the richest country in the world; notwithstanding which, a frightful amount of poverty exists".

For the rest of the book, everything just seems strange. While we often read about history as it happened, we don't usually get to read it as it is happening. There are far too many points of interest to list, but here are some;
* Germany isn't yet unified but remain as "a confederation of 34 independent states".
* It seems that everyone is being ruled by a king
* There are still bears running all around Europe (almost all are dead now)* The author enjoys making a point about Gibraltar "An almost impregnable fortress belonging to England, taken by Sir George Rooke in 1704 and unsuccessfully besieged by the united French and Spanish fleets in 1782". He also enjoys saying "In the wars with England, France has, from time to time, been deprived of her foreign possessions. This must be the result of a contest while England retains the supremacy of the sea".
* The author consistently uses the title 'Miscellaneous Observations" to voice his own opinions about how terrible a country is. Spain; "Great laxity of morals is prevalent, assassination being by no means uncommon, and the country infested with bands of powerful banditti. The favourite national sport is bull-fighting, the large towns having buildings devoted to that cruel amusement." Portugal; "Perhaps the Portuguese are the lowest of all European nations in civilisation and morality. Both in their houses and persons they are excessively dirty."
* While he is extremely descriptive of Europe, when he goes into details about Africa and Asia, he knows almost nothing - no one did. One of the main religions of Asia is 'Paganism'. The only interesting thing to happen to the area of 'Beloochistan' (Around Pakistan) was that it was "stormed by the British in 1829". All the governments not under British rule seem to be "Despotic". He describes a Chinese habit, "If a high personage or official has offended the Government, he is expected to commit suicide, which he does by ripping himself up in the presence of his family and friends. This strange custom, which prevails also in Japan is called the "Happy Dispatch". Hmmm.
* America has 35 states and the people have "an overweening opinion of themselves". Of course the British on the other hand were endlessly modest.
* Australia, not even 100 years old has some interesting points.
- The Platypus is called the ornithorhynchus.
- The first people to cross the continent were "Poor Burke and Wills"
- He doesn't know how big Western Australia is- Sydney has 60,000 inhabitants, Parramatta is a different town.
- Tasmania is interesting (where the book was bought), "90,000 inhabitants, of whom many are still convicts."

Well that's enough. The moral of the story is that old books are cool.

Saturday, June 24, 2006

Prints

Here are scans of my favourite old school photos I took (on film!). I still prefer tangible photos, if you use a really high quality film, like the ones below were (though the scanning isn't great), you get a much better result than a picture on your computer screen. The colours seem more powerful, the contrasts deeper. On my last expedition to the Blue Mountains last Autumn, there was no question that I was going to take the film over the digital. I'm still looking to get those photos printed, and I anticipate that many of them will show up on this site soon. The first photo is of a great old myrtle growing down a hill in the middle of no-where (also known as the Walls of Jerusalem in TAS). The second and third were taken in the Blue Mountains in 04. The last is from Port Arthur from my trip with Tim Miller at the start of the year. More to come.


Friday, June 23, 2006

Sidekicks etc.

This guy is Kermit, my most trusted sidekick of the last three years. He likes his spoons and his blimps.

Metempsychosis Shoot

For those lucky enough to own Metempsychosis' omikron 5, here's the album cover in full resolution, rather than the crummy print on the CD. You simply can't beat a cassette tape trapped in a fiery ice cube for a CD cover - impossible. We did our millions of fans proud.

And then some









Thursday, June 22, 2006

I mainly wanted to use this place of rest as a means to post photos I take. Many aren't taken with a good camera, nor do I claim that I am a good photographer. These first lot were taken with my first digital camera which had about as much resolution as a dot painting. Enjoy (maybe)





Good evening all

When I have something to write, I'll write it.

As of yet, that isn't the case.

Enjoy the Blimp Museum.